![]() There’s something distinct – something more felt, human and authentic – about the way the weariness registers on Theron’s face and body. Tied by a chain to Nux, with a tube of blood continually flowing to his captor, Max is dragged everywhere Nux goes – including on a crazed race to capture a rogue tanker driver who has smuggled Immortan Joe’s wives in a truck and is tearing away toward the horizon. ![]() He also has a harem of young wives, some of whom are pregnant in hopes of continuing his family line.Īnd Max? He’s a “blood bag,” a living donor for one of Immortan Joe’s ailing acolytes, named Nux (Nicholas Hoult). His rocky palace is something of a deranged Valhalla, where women’s breast milk is pumped by machines to be traded as a commodity. High atop a wasteland plateau, Immortan Joe has diverted what little water there is to his crops at the top he reigns over the worshipful rabble below by occasionally releasing gushes of water. The movie begins with Max held captive by a terrifyingly cruel warlord named Immortan Joe (Hugh Keays-Byrne from the original Mad Max, wearing a gas mask that makes him look like a human variation on the alien in Predator). I could provide a plot description for Fury Road, or I could simply say that it races from Point A to Point B, pauses briefly to catch its breath, then roars wildly back from Point B to A. Truth be told, the movie doesn’t have much room for anything other than a series of terrifically staged and maniacally thrilling chase scenes – conducted, as all these films have been, by director George Miller. As such, it doesn’t have a lot of room for its grumbling male antihero. ![]() It turns out that Mad Max: Fury Road is a movie about women, who figure here both as angels of life and agents of death. Mad Max: Fury Road is a tale of milk and blood.Ī continuation of the post-apocalyptic Mel Gibson franchise from the 1980s, including the brilliant Mad Max: The Road Warrior, this installment hands Tom Hardy the title role, then cleverly sidelines him.
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